There were so many images coming across the wire that day but this one stood out for her because it encapsulated the horror of the day. In the film, the photo editor, Naomi Halperin, talks about how striking the image was. In the film we go to a newspaper called the Morning Call in Allentown Pennsylvania. It ran in many newspapers on the day after 9/11. That is one of the many reasons why it has burned itself into the consciousness of anybody who has looked at it.ĪHL: Why did you make a film about this particular photograph? It captures the last moments of somebody’s life but it does so in a way that is peaceful and beautiful at the same time. And I think this is one of the reasons why it is so memorable. It’s the most horrific moment but there is a calmness to the image. What is extraordinary beyond the graphic composition of this image - the parallel lines, the light on one of the towers - is the fact that the Falling Man, as he has come to be known, looks so composed. Out of all of these images why is The Falling Man so memorable? The interview was originally published Septemon Design Observer.ĩ/11 was the most photographed and videotaped day in history. The following is an interview with Henry Singer. The article was nominated for a National Magazine Award. It was based on an article by Tom Junod that appeared in Esquire Magazine on September 2003. It tells the story of this controversial image: who took it how it was first published and censored the responses of the families, and the search to discover the identity of the man in the photograph. The film was screened in over 30 countries and was nominated for an International Emmy in 2006. To mark the opening of the 9/11 Memorial in Manhattan we are re-running an interview with Henry Singer, who in 2006 produced and directed The Falling Man, a 90 minute documentary for Channel 4 Television in the UK.
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